I saw a good dozen of them in the complex and ask which ones are ours. No matter what country you’re in, production stages look like warehouses from the outside. ![]() My laptop is worth, conservatively, a quarter billion dollars. I couldn’t explain that my computer contains the only non-secure copy of the Blade Runner script in the world and I’m terrified to let it out of my grip. Clearly non-union. I told him "No, thank you," and now he thinks me rude. Playing grand mal hooky.Ī kind driver met me, offered to carry my knapsack. My mouth sour from the chocolate soccer balls I ate for breakfast on the Lufthansa leg.įlew here straight from the American Gods set in Toronto, telling no one where I’m going except Bryan. Was tired and turned the wrong way every time there was a turn. Don’t know why I expected something bigger but I did. But the record stands.īudapest Airport is tiny. Though customarily lazy about journaling, I kept notes on what I saw while playing in the brutalist toy box of Blade Runner, mostly to help me feel like it was all actually happening. In the Los Angeles of Rick Deckard, cars fly. Those who say "never meet your heroes" need pick better heroes.Īs nervous as I was, I had no idea just what kind of ride I was boarding, how dizzying the scope and company. Some weeks later, Ridley Scott thought my response to it worthwhile and offered me the job. In March 2013, I was led to the stylish conference room in Scott Free Productions’ Los Angeles office, took a seat in an impossibly comfortable recliner, and was handed Hampton’s work to read. In this case, I was second, after Hampton Fancher, the original writer of the original Blade Runner, sat down with the original’s director, Ridley Scott, and drafted a tone poem of a document - a tuning fork for the music of a world, populated by storms and stormy characters, some of them armed. It’s playing with matches, yes, only we’re all pyromaniacs. "Do you have any interest in a Blade Runner sequel?” said the email from my agent over four and a half years ago." That this bit of clay landed where it did gives me joy - a private joke, shared by all who were offered a chance to continue the story told in one of the most revered films of all time and said, "Sure." But movie dialogue is clay to be molded and moved around. With Blade Runner 2049 now available on demand and awards season kicking off this Sunday with the Golden Globes, he's adapted his on-set journal into this exclusive look-back at a once-in-a-lifetime experience.Ī spoiler: The first line of dialogue spoken in Blade Runner 2049 is “Hope you don’t mind me taking the liberty.” It wasn’t scripted that way. Throughout it all, Green - who also wrote or co-wrote the 2017 movies Murder on the Orient Express and Logan, and co-developed American Gods for Starz - kept a journal documenting his thoughts and encounters, including insightful behind-the-scenes vignettes involving Villeneuve, actors Harrison Ford and Jared Leto, and his own set-visiting parents. Just over three years later, Green, who co-wrote the screenplay, traveled to Budapest to watch his words turn into visual wizardry by acclaimed director Denis Villeneuve, cinematographer Roger Deakins, and many others during the Blade Runner 2049 shoot in 2016. There was Green as well as co-writer Hampton Fancher, the director, producers and other artists collaborating.How do you follow up on a masterpiece? That was the challenge screenwriter Michael Green faced after he took on the daunting task of scripting the sequel to the beloved 1982 sci-fi film Blade Runner. Perhaps the diversity of 2049 technology comes from the diverse group of creators working on the film. “They have flying cars but at the same time they seem to have vacuum tube screens from time to time, in the original especially,” Green said. In some ways, old technology became new again. “There is familiar and there is non familiar.” “You do have something like an app,” Green said. ![]() That said, the devices they do use often run apps similar to our smart phones. It might be hard for Ryan Gosling and Harrison Ford to look cool holding a cell phone up to their ears. “What things from 2017 aren’t there? For example, you don’t see cell phones because cell phones are a terrible invention that ruin story.” This is what the future looks like. “We looked at existing technology in our world and existing technology in the Blade Runner world and thought a lot about how those things would evolve, whether they would move forward, whether they degraded,” Michael Green said. ![]() ![]() The sequel takes us to the year 2049, but you might be surprised how technology has and has not advanced.īlade Runner 2049 screenwriter explained why, for one thing, nobody in the year 2049 uses a cell phone. The original Blade Runner showed us a grim future where corporations and technology had cluttered cities. The technology of Blade Runner 2049, which does not include cell phones
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